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While walking through an art gallery recently and l looking at some of my favorite paintings, I was struck by the artists’ use of color and even their economy of stroke. I truly appreciate their work and often wonder how I can better apply those same concepts to my embroidery. Painters have some advantages with colors that embroiders, at least on the surface, appear to lack. They can mix and blend colors to achieve that perfect shade or hue. We who work in thread cannot… or can we?
I am often handed stockings or blankets from people who want names or monograms stitched onto the high loft materials. The problem becomes, how do you make the embroidery stand out nice and clear without the fluff of the fabric curving over and around the embroidery? Managing the nap and textures appropriately make all the difference between something that is OK and something that is awesome! So how is it done? How can you prevent the nap of the fabric from interfering with your design once the topping solvy is removed from the fabric?
Stitch density is the distance between stitch lines traveling in the same direction. The lower the number and/or percent, the closer the stitch lines are. The higher the number and/or percent, the further apart the stitch lines are. The example below shows low,10 point sitch density, compared to higher, 5 point stitch density.
If you own a screen printing business, or have any interest in embroidery or selling printed t-shirts, then you need to know Melco. Based in the U.S., Melco is known for its high-speed commercial embroidery machines and digitizing software. However, with increasing demand for direct to garment printers and vinyl print/cut machines, it just made sense to expand the product offering to include the SureColor F2100 from Epson, and a selection of vinyl print/cut machines from Roland.
Complex fill elements are most commonly used for laying stitches down over a large area. These fills tend to look flat and, when considered by itself, a flat fill does not usually add a lot of dynamic interest to the work. One way to increase the interest and add creativity to the fill is to incorporate patterns within the fill area. These patterned fills take the flat fill area and add shapes into the fill so you can give the fill an embossed or stamped look. Melco International’s DesignShop Pro+ software has well over 40 standard fill patterns that can be applied to a fill area, but the possibilities are truely endless. With DesignShop Pro+, you can create any shape and and turn it into a pattern for a fill area. The below steps show you how simple it is to add your own custom patterns to a fill. The instructions below are specifically for DesignShop Pro +.
Cap embroidery presents unique challenges to many embroiderers. No two cap brands or styles are the same. The panels are all cut differently and the front panels are backed and constructed differently. This means that it is very difficult to make a cap framing system that fits every possible cap product with exactly the same result. For this challenge, we need to expand two skill sets, a) digitizing and b) machine operation.
When you choose Melco as your equipment source, you have access to machines that will produce nearly every type of personalization possible, from embroidery to DTG printing, vinyl cutting to heat transfer. Demand for one-off and short run orders is increasing, and with Melco as your partner, you have the equipment and support you need to meet that demand.
Lots of activity at Melco in September! In case you missed it:
At NBM Denver, we launched the new embroidery clamping system, Melco Fast Clamp PRO. This system is available for pre-order now, shipping in early October.
We now carry Roland Print/Cut and Vinyl Cutting Systems. Check them out here: http://www.shopmelco.com/category_s/205.htm
It seems that I’ve been embroidering a lot of blankets lately. Some friends are having babies and others have children or grandchildren on this or that team. Blankets are a great personalized gift that with a little bit of planning can look fantastic.